Fruit

The first time I encountered olive oil cake was at Capezzana, an olive oil– and wine-producing estate in Tuscany. Olive oil cake was the house cook’s signature morning dessert. I had never heard of such a thing and it sounded strange to me, but when I took a bite, it made perfect sense. It was a very simple sponge-type cake in which the butter had been replaced by olive oil, and it was delicious. Since it’s all about the olive oil, the better the quality, the better the cake. For drizzling over the gelato, this is the time to bring out the best olive oil you have—and use olio nuovo when it’s in season. We bake the batter in tiny teacake molds, which means more surface area—and the slightly crispy exterior is my favorite part. The teacake molds we use are sold in a pan, like a muffin tin, at cookware shops. Alternatively, you could use individual teacake molds. This batter keeps well, and you’ll have plenty of olive oil ice cream, so double the recipe to feed a crowd or if you think you might want to bake more later in the week. We serve the cakes with Olive Oil Gelato, which is equally unusual and delicious.

Everyone loves doughnuts, so it didn’t surprise me when these bombolini, Italian for “little doughnuts,” turned out to be the most popular dessert at the Osteria. You’re likely to find some version of sweet fried dough in every Italian region. That said, ours is made with a brioche-style dough that’s fried to order and served with a berry marmellata, or compote, and lemon curd—not at all Italian, but reminiscent of jelly doughnut combinations that Americans know and love. For the marmellata, we use mountain huckleberries from Oregon; you can use blueberries, blackberries, or boysenberries, or a combination—as you like.

I’ve been making a version of this condiment for as long as I can remember. Currants and pine nuts are a traditional Sicilian combination, so anytime I use this I feel like I am making a Sicilian dish.

This is a simple and foolproof recipe for the creamiest, lemoniest curd you’ll ever taste. It makes more than you will need for the Bombolini with Berry Marmellata, Lemon Curd, and Vanilla Gelato (page 293), but you can use the leftovers in countless ways: serve it atop Greek Yogurt Gelato (page 313) or as a dessert sauce for Cannoli di Gelato (page 287), or do the English thing and spoon it onto warm scones.

It’s impossible to walk into any bakery in Italy without seeing a lattice-covered jam-filled tart called a crostata, so when I penciled out a short list of the desserts I would want to make at Mozza, it was only natural that crostata was on that list. For the longest time, I just couldn’t decide how I wanted to serve it. An unadorned crostata seemed fine for a bakery, but it looked too naked on the plate to serve alone at the Pizzeria. At the same time, I was struggling with how to incorporate another Italian favorite, panna cotta, into our repertoire. Somehow, in the course of all of my experimenting, I got the idea to substitute the creaminess of gelato, the most obvious accompaniment to a fruit tart, with the creaminess of panna cotta, and I put the crostata and panna cotta together. It worked, solving both problems at the same time. We drizzle the panna cotta with saba, Sardinian grape must. What we created was a dessert built of all Italian elements that, though you would never see them together in Italy, somehow work. I’m proud of that. The recipe makes twelve crostate, four more than you will serve with the panna cotta. I based the yield on the number of crostate the dough would make—and I figured you could find someone to eat the extras. You will need twelve 1/2-cup miniature brioche molds to make the panna cotta, though you could use 2-ounce ramekins—your panna cotta will taste just as good, it just won’t look as pretty. The crostata dough is the same as the Pasta Frolla (page 276) with toasted sesame seeds added. Dahlia and I got the idea when she was working on a sesame-seed biscotti. We didn’t like the biscotti enough to include them in our repertoire, but we really liked the subtle flavor and crunch that the seeds added to the dough.

The first time I ate at the Atelier of Joël Robuchon in Paris, I saw a whole fish delivered to another customer that I could tell had been boned and deep-fried. The skeleton had been removed but the head and tail, which flipped up so nicely on the plate, had been left intact. I watched in awe as the diner carved into the fish and ate it head to tail, without any of the usual fuss required to eat around the bones of a whole fish. I was so impressed that I told Matt I wanted to put something like that on the Osteria menu. He chose to grill the fish rather than fry it, but it’s the same idea. We chose to use orata, also called dorade or sea bream, a classic Mediterranean variety, because you see whole branzino on every Italian menu from California to Campagna, and we wanted to introduce our customers to something different. We wrap the fish in a fig leaf in the fall and a radicchio leaf the rest of the year before grilling it in order to contain the herbs stuffed inside the fish. Boning the fish is the most difficult part of making this dish—and I won’t lie to you: it is tricky. I promise that with patience, a good sharp knife (preferably a fish knife or a 6-inch boning knife) and fish tweezers, you will be able to do it.

Bacon-wrapped dates—a more elegant version of rumaki, the 1950s appetizer of chicken liver wrapped in bacon with a water chestnut in the middle—have taken Los Angeles by storm ever since Suzanne Goin started serving them at her restaurant, AOC. I didn’t want to copy hers, but I like them so much that I wanted to make a version for Mozza using figs, which are so abundant in my town in Italy that you almost forget they are a delicacy. Although I’ve never been served anything like these in Italy, I certainly didn’t invent the idea of contrasting the sweetness of figs with something piggy and salty: figs and prosciutto is a classic. At the Osteria, we serve these as an antipasto on a tangle of wilted dandelion greens, but they also make a great bite-size snack for cocktail hour, which is how we have presented them here.

Meyer lemons are thought to be a hybrid between lemons and Mandarin oranges. They have a sweet perfume and a sweeter flavor than regular lemons. They’re originally from China, but those of us who live and cook in Southern California consider them our own. I get so excited every January when I spot these smooth-skinned citrus at the farmers’ market.

The key to this gelato is to use super-ripe bananas—the blacker the better. Liz Hong, one of our line cooks who tested this recipe, let the bananas ripen for over a week before they were as black as we wanted them. Roasting the bananas before puréeing them is a little trick I use to prevent the bananas from turning brown when they’re added to the base.

We change our gelato pies throughout the seasons—we make strawberry in the summer, pumpkin in the fall. We’ve experimented with others, such as caramel, banana, and coconut. But as good as they all are, the Meyer Lemon is the standout. The graham cracker crust, candied citrus peel, and champagne vinegar sauce turn a simple, familiar dessert into one with many layers of flavor and texture. It’s one of my favorite desserts. The recipe for the graham crackers makes double what you will need for one pie, and the vinegar sauce makes even more than double what you will need, so plan to make this recipe twice within a short period.

The recipe for this was a gift to me from Fred Chino, one of the members of the Chino Farm family. Fred loves to bake—and he’s really good at it. The first time I tried his coconut cookies, they were so good I couldn’t stop eating them. Now we make a slight variation at Mozza2Go to make them feel more Italian. Even though I see the cookies every day, I still have a hard time resisting them. You will need a 2-inch round cookie cutter to make these.

In the Italian tradition of stuzzichini, I don’t like to put out so many appetizers that my guests will ruin their appetites, but two things that I must serve whenever I entertain are roasted olives and toasted almonds tossed with olive oil and sea salt. These olives, which are tossed with citrus zest and garlic confit, are as beautiful as they are delicious. If we get an unusual olive variety, we might throw that in, but normally the combination we use is Lucques, Castelvetrano, Taggiasche, and Picholine. You can use whatever combination of olives you want or have access to, as long as they’re not the canned pitted things I grew up with. Also, keep in mind that it’s ideal to have a variety of colors and sizes. You can prepare the olives up to a month in advance. Keep them in the refrigerator and roast them just before serving. If you are preparing them in advance, however, omit the garlic confit and garlic oil, as they will cause the olives to spoil more quickly. Prepare the olives with only the regular olive oil, and add the garlic and garlic oil up to several days before you are ready to roast them.

This refreshing cocktail is a play on the traditional British cocktail, Pimm’s Cup, made with gin instead of Pimm’s.

This cocktail is named after the brand of amaro, or bitters, that we use to make it. You could use another bitters if you can’t find Meletti.

I don’t rent out my house in Italy but I do let friends stay there. The “rent” that I charge is always the same: one book and one DVD. Our collection of both is pretty random, but thankfully someone at some time thought to bring the movie Il Postino, one of my all-time favorites.

This is our most basic vinaigrette, used to dress many of our salads, and as a starting point to make other dressings, such as the mustard vinaigrette that is spooned over leeks in one of our most popular Mozzarella Bar items, Burrata with Leeks Vinaigrette and Mustard Bread Crumbs (page 72). Because it contains shallots, which can get a bit of an “off” flavor, you don’t want to keep it for more than two or three days.

A sparkling coating of clear glaze enhances the beauty of fresh fruit. Because this glaze is fragile, the fruit must be eaten the same day it is prepared. Use only fruit that is perfectly ripe and unblemished, and make sure that the fruit is very dry before glazing, since humidity breaks down the glaze. A display of glazed fruit makes a stunning centerpiece for a buffet table or dinner party.

Dates stuffed with marzipan are an exotic confection of Middle Eastern origin. They are a snap to prepare.