Fruit

Min’s Cranberry Fruit Salad is the result of her crusade to bring vibrant colors and crisp textures to those brown winter meals—including plenty of the cheater pulled and chopped meats. Bright cranberries and fall fruits make a drop-dead gorgeous salad with body, color, and crunch. Smoked turkey, chicken, pork loin, and brisket are always better with a bright accessory. Freeze extra cranberries in the fall to whip this up throughout the winter.

Since R. B. has expanded his blade assortment beyond an ax, a maul, and a cleaver to include a few kitchen knives, he’s more than happy to wield the Santoku for diced salad vegetables. This kitchen task is best suited for the detail oriented. Around here, that would be R. B., whose T-shirt collection is always impeccably folded, stacked, and arranged by hobby. Instead of limp baby weeds, we vote for a crisp head of chilled iceberg lettuce that cuts beautifully into bite-size pieces for serving with barbecue.

Min found her inspiration for this dressing at the end of the Indian restaurant buffet. That delicious yogurt-dressed lettuce salad is crisper around here, but it’s just as cooling with spicy meats. Garnish the salad with fresh cilantro and mint leaves.

The traditional yogurt-cucumber mix that cools Middle Eastern and Indian barbecue dishes operates the same way with cheater BBQ. This slaw is a natural side to Tandoori BBQ Chicken Thighs (page 96) and Cheater Q’Balls (page 129). When we have any leftover brisket, burgers, or turkey, it gets loaded into pita pockets with as much slaw as will fit topped with whatever hot Indian chutney happens to be in Min’s fridge door condiment collection at the time.

Trout is a popular fish in a landlocked state like Tennessee. It’s fresh, easy, and quick to cook on a grill or in the oven. The presentation of a whole fish at home conjures up the rustic feel of a riverbank campout, and the burnt string used to lash together the lemon-and-dill-stuffed fish creates a real dinner-under-the-stars mood. Complete the faux angler’s mess with Oven Potatoes (page 167) and a green salad with your own smoked paprika vinaigrette.

One hot Tennessee evening Min’s neighbor, Raj Kumar, handed R. B. a green coconut and a cleaver and said, “Chop the top off that thing. Let’s have a drink.” We love Raj. Dinner at his kitchen table is part spiritual recharge, part therapy, part comedy hour. Even better, Raj knows how to cook. After one question too many from us, he took us to Apna Bazaar, Nashville’s Costco of Indian provisions. Soon every dish we made required two kinds of cardamom pods, a chunk of cinnamon bark, cumin and coriander seeds, mango pickles, and a chutney or two on the side. Raj kindly indulged us in our enthusiasm and, in time, our spicing acquired some much-needed subtlety. As Raj advised, one should wonder about flavor, not be hit over the head with it. Tandoori BBQ Chicken Thighs use bone-in, skinless dark meat typical of Indian cuisine and our balanced dry rub approach, accented with either a simple curry powder or garam masala, both readily available spices. Add cayenne pepper for more bite. When time allows, we adhere to the tandoori tradition of soaking the chicken in plain yogurt before seasoning the meat. In 900°F tandoori ovens, the yogurt ensures moist chicken, and it’s just as worthwhile at home. We often substitute buttermilk for the yogurt because it’s cheaper and coats the meat instantly.

In between cruises when you’re pining for the late-night lido deck scene, there’s no better way to escape the quotidian than an island-themed luau. Lining the slow cooker with banana leaves and filling it with seasoned pork can really generate a breezy mood. The cheater way is to put a whole banana, skin and all, on top of our Luau Pork during cooking. It gets the party point across just as well. To carry the theme, think side dishes with tropical fruits, macadamia nuts, coconut, and rice.

Dating back at least to the 1950s is a party classic known as sweet-and-sour meatballs, or smoky sausages in an easy blend of mustard and jelly. We’ve seen signature variations on this theme using just about every flavor of jelly and mustard around. In the end, they all work the same, producing an easy sweet-and-sour sauce for the meat to bathe in. R. B.’s Aunt Kate, a veteran hostess and merrymaking ringleader in Melbourne, Florida, gives particularly high marks to dishes like this that score lowest in effort and highest in empty bowl at cocktail-recipe swap meets. Our somewhat Asian fusion variation calls for broiled fresh pineapple and kielbasa.

In the south near Cagliari, in the town of Sant’ Elena, is staged a September festival—a tribute to their patroness and a celebration of the vendemmia—the harvesting of the grapes. There are four ascendancies in the week’s pageantry. The ancestral dress of the townsfolk, the great, pendulous, ambered muscat grapes, called zibibbo, with which the whole, humble precinct is festooned, the wine pressed from their honeyed juices, and, finally, the luscious breads baked from zibibbi left to dry and crinkle in the sun. Though the bread is sweetened and ornamented with raisins, it is most compatible with game dishes such as fagiano arrosto alla Saverio di Nulvi, (page 240) or braises such as the cosciotto di maiale al coccio del pastore Sassarese (page 237). We ate pane di zibibbo in Sant’ Elena with the sweet, white flesh of a myrtle-roasted pig. The bread, still warm from the oven, or roasted over a wood fire, makes for a gorgeous fine pasto with a piece of young pecorino and a glass of moscato. I reserve the bread’s golden-crisped fringes for the baker.

Not a terribly sweet sort of breakfast jam, not really a true marmalade, this is the rough condiment Alfonso’s grandmother made when she had a few extra lemons and some even more precious sugar at hand. She served it with her home-smoked swordfish as well as the salt-cured reading. Too, he remembers her smearing it on justbaked bread for him to eat with a slice of fresh ricotta when times were flush.

Deep in the interior of the island on the fringes of the barbagia is Nuoro. It seemed a cultural suicide, wielded by unsentimental politicos over this past half century, that smote Nuoro’s picturesque and pastoral life. This, the place on Sardegna where Stone Age man first set his fires, the place least contaminated by the passing of the millennia, was swiftly, gracelessly swept away by those compelled to gentrify her. Little has changed about the Nuoresi themselves, though. As best they can midst their fresh new proscenium of concrete, they still dance their simple rhythms, honor legacy and heritage with their reserved sort of gaiety. A sweet—once made only by the Nuorese massaie, farmwives—is now fabricated in crisp, shiny laboratories and sent then, in its handsome trappings and tassels, to elegant shops on the Continent. Still, the women cook their ancestral aranciata at home for feast days, sometimes tucking it into bits of lace, placing little pouches of it at everyone’s place at table, then hiding an old silvered tin of it in the back seat of a new friend’s automobile.

The Phoenician port of Karalis is Cagliari and, sitting on the island’s southern verges on the Gulf of the Angels, it seems not of Sardegna. The Sards who live away from the port say it is a place doubled-faced and call the Cagliaritani hollow-hearted. They say Cagliari is of the world and not of Sardegna. Sardi falsi—sham Sards—they are called. Surely discordant, as a city, with the Stone Age commonweal of the island’s interior, Cagliari’s most pleasant quarter seems the one raised up in the serene, medieval tracks of the Pisani. There, embraced by walls, new—as measured in Sard antiquity—one senses, still, some sweet press of sympathy. And it is there on its piazzette, where one can sit under broad, blue-striped umbrellas, to sip at cool Nuragus di Cagliari between melting bites of salty bottarga, the Sards’ caviar. Fashioned from eggs harvested from the cefalo—the gray mullet—the roe sacs are taken whole, compressed under thick hefts of marble, rubbed with unpounded crystals of sea salt, then left to dry on grass mats under the Cagliaritano sun. What emerges after several months of patience is a supple, glossy mass that, when shaved or grated gives up an authoritative yet balmy brininess. In the humblest of osterie as it is in the ristoranti, this bottarga, the Sards’ caviar, is presented with simple adornments. Rather easily hunted up in American specialty stores, look, though, for the bottarga di cefalo rather than the more common, far less delectable, bottarga di tonno, made from eggs of the tuna. Here follows a recipe for a most uncommon, sensual sort of overture to lunch.

This variety of plum, even when ripe, retains a certain tartness that is offset here by the anise and the almond paste, all of which, when lolling about in the cream, seem made for each other.

Demeter, the goddess of grain, hallowed by i siculi—the warrior tribe that inhabited the island before the Greeks—was all of resplendence, even to the high crown formed from her flaxen braids. It was she who illuminated the magic of sowing seeds beneath the earth and then protecting them, feeding them, and growing them up into ripeness. The tribe’s harvests grew ever more abundantly, the goddess conjuring the sun and the rain and the breezes on their behalf, they honoring her with great bonfires under the full moon’s light and ritual offerings of bread and wine. The island was Elysium, uninterrupted. And then, heaving himself up through a rent in the earth’s crust, Pluto stole Demeter’s daughter, Persephone, as plunder for his abyss. Demeter screeched and mourned and cast Sicilia into darkness. There was nothing to nourish her tribe save the tears Demeter cried down from the heavens. So clamorously did the goddess petition him that Pluto succumbed, vowing riddance to the child as much as to her shrewish mother. He would liberate Persephone. Only then, though, did Pluto take note that Persephone had cut in two a pomegranate, and that she sat slaking her child’s thirst on its juices and its glistening, rosy seeds—a blunder. He howled up at her mother that Persephone had devoured the sacred seeds of fertility, and for this sin he must halve his promise. Just as she had broken the fruit, Persephone would be liberated for only six months of every year. And, as penance, she must, each year and everlastingly, stay six months in the shades of Hades. And so it was that Demeter heralded the sun and the rain and raised up the wheat, thick and golden, from May through October, when Persephone was at her side, leaving the island barren and under an impotent sun from November until April—her half-mourning an allegory of the seasons, of life and of death. In the early springtime, one can see still the great roaring fires lit by Sicilian wheat farmers and whole villages in dance and song, invoking the gods’ promise to keep safe their newly sown fields. Only now, old, sweet Demeter, pagan that she was, has been supplanted by St. Joseph, her powers having been ferried over into his realm. Not so long after a woman in Palermo had told us this story of Demeter, we were staying awhile in Enna, an interior agricultural city. One evening, the man who served our supper of rough-cut semolina pasta with a mutton sauce and thick chops of pork, oven-roasted with wild onions, dispatched to our table his mother—a fine country cook—with the sad news that she’d had not a moment to put together some rustic little tart or other that day. There would be no sweet. Unless, of course, she murmured, we’d like a pomegranate with un cucchiaino di zabaglione—a small spoonful of custard. We agreed. What she brought forth to us on an old plate of cranberry-colored glass were two pomegranates that seemed to be broken rather than cut in two, their crimson juices spilling out from the jagged shells with tiny coffee spoons plunged into the hearts of seeds. Two diminutive porcelain pitchers of some winy custard were laid beside the plate. We were urged to pour the custard over, into the pomegranates. Sweet but not quite sweet against the tart, peppery seeds, the sauce was the color of ambered muscadine, its scent that of crushed violets. It was a plate quietly, achingly beautiful to see and to eat. Later, when we asked her son if we might give our thanks to his mother for the fine supper and, especially, for the pomegranates, he told us that she’d gone upstairs to bed. Thinking to write our thanks in a little note, I asked him, “What is her name?” “Mia madre si chiama Demetra,” said the man. “My mother is called Demeter.” Startled, dazed even, for a moment, the story of Demeter came racing to mind. Thinking the note unnecessary, all we said w...

On the curve of Palermo’s Via Papireto, just before the entrance to il mercato delle pulci—the flea market—there sits a watermelon stand and a hand-wrought sign: ICED, SWEET WATERMELON, DAY AND NIGHT. We passed the little place several times each day on our excursions through the great honkings and snarlings of the city traffic. Drawn by its promise, we meant always to stop but never found quite the right convergence of appetite, time, and space in which to park the car. But one Saturday evening, after a long, winy dinner and a dry search for a still-open gelateria, we thought to soothe ourselves with a visit to the watermelon man. Though it was well after midnight, he was there, waiting midst the walls of precisely laid, smooth-skinned fruit, his old Arab eyes illuminated by festoons of pink and green lights. He bid us sit at his one and only tiny, oilcloth-covered table, tucked in the corner farthest from the street. Speaking only in smiles—it was hardly necessary to tell him what we desired—we watched as he chose a melon from those he kept in a basin of iced water and then cleaved it open with a single heft of some ancient tool. Each half he stuck with fork and spoon and, resting the juice-dripping melons on wooden boards, he presented them. He brought a little tin plate in which we might deposit the seeds and two beautifully ironed kitchen-towel napkins. The red flesh was crisp under our spoons and each new excavation brought up a yet sweeter, colder mouthful of it. We ate slowly under the pink and green lights, finally resting our spoons against the great, hollowed shells, triumphant, certain we’d spent well that hour of our lives, certain, too, how perfect, how divine was that food. Lacking a faithful watermelon man, here follows a way to work with a well-ripened, even if not exquisitely fleshed, melon. Perfumed with cinnamon and studded with bitter chocolate and pistachios, it is the traditional ice of ferragosto—the official high summer Italian festival. The gelo is best eaten long after midnight.

Zagara—flower, in Greek—is the name farmers call their precious agrumi, they, it seems, likening the sweet, spicy perfumes of their oranges and lemons to the scents of blossoms. Thus, citrus fruits are Calabrian flowers. One farmer dared me to try to cook this luscious dish with bergamot rather than oranges and lemons, assuring me that it was the one and only fruit with which the massaie (housewives) braised pork long-ago. Finding none to beg or buy, I cannot tell you how the dish might have been with the ambered flesh and juices of the mysterious bergamot. One day I will.

A pastry reflecting the famous half-roasted, almond-stuffed, bay and anise-perfumed figs that Puglia exports to all of Europe, the ripe sensuality of it merits a true hunger, one not dulled by the prologue of some long, winy supper. Nibble only at a plate of fresh cheeses before it. Better, present it with no prelude at all.