Fruit

The first time I had gâteau basque, I was living in the southwest of France and trying, in my little spare time, to sample as many of the local treats as possible. Gâteau basque, a very moist, buttery cake with a certain je ne sais quoi, was by far my favorite. Despite its name, it’s not really a gâteau, or cake, but rather two layers of buttery, crumbly crust filled with pastry cream. As it bakes, the crust and filling meld into one delicious whole. This rural dessert has many interpretations, with fillings that vary from almonds to raisins to fruit jams. For this version our first pastry chef, Sara Lauren, came up with a pastry cream spiked with an unusual combination of Armagnac, rum, orange-flower water, and almond extract. The cake doesn’t taste like any one of those flavorings, but together they somehow evoke that unforgettable flavor of the Basque country.

Every winter, when the first blood oranges appear at the market, I’m as impressed as I was the first time I saw one, while visiting Rome my junior year abroad. One morning, at the local café where I had my daily cappuccino and pretended to read the paper, I heard a loud racket coming from behind me. When I turned and looked, I got my first glimpse of that blood-red juice spewing from the juicers lined up on the bar. I had to order a glass. When I got the bill, I was shocked by the steep price. But even back then, I knew it was something very special and worth every lira. This salad is my homage to those blood oranges that won my heart so many years ago. Layered with sweet dates, Parmesan, almonds, and a few leaves of peppery arugula, the blood-orange slices burst with sweet, tart juice. Because this salad has so few ingredients and nothing to “hide behind,” now is truly a time to seek out the very best ingredients. Once you’ve gathered your perfect components, the only difficult part is arranging them on the plate. Thoughtfully weave the ingredients together, layering them into “hills and valleys,” rather than piling them up into a “mountain.” Think of this as a tapestry, rather than a tossed salad.

Earthy, sweet beets and tangy, juicy tangerines were meant for each other. I’m just the hungry matchmaker. I set them up on an exotic date with a splash of fragrant orange-flower water and ribbons of mint. Not only do they taste delicious together, they also make quite a stunning couple.

When we were opening Lucques, we had very little money for the renovation. The space had a decent kitchen but lacked a great oven. Fritz León, one of our purveyors, was hanging out with us one long day of construction and happened to mention a “huge, fantastic” deck oven that one of his other clients downtown was selling for (and this was the key) “cheap.” What more could I ask for? I bought it on the spot. I began to doubt myself when we went to pick it up and found it was so huge and heavy that we had to take it apart just to get it through the kitchen door. It was a monster, and when we finally did get it installed it seemed as if the old dinosaur had a mind of its own. Each deck ran at a specific, apparently predetermined temperature, no matter what setting we mere mortals put it at. The lower deck was at a constant 350°F, the middle at 400°F, and the top at a raging 500°F plus. It wasn’t long before the top deck was christened “the Terminator,” and now I can’t imagine life at Lucques without it. It was even instrumental in the evolution of our pain d’épice, developed by former pastry chef Kimberly Sklar. For a crispy exterior, she sliced the classic Alsatian spice bread and toasted it on the floor of the Terminator before slathering it with butter and kumquat marmalade. At home, you can simulate the “Terminator effect” in a hot cast-iron pan.

This invigorating dish is a refreshing change from the hearty comfort foods of winter. The herbs here aren’t relegated to the sidelines; tossed with arugula, they become the main attractions of this bright salad. Meyer lemons are diced with their peels on and combined with green olives, champagne vinegar, honey, and olive oil for a bracing sweet-tart salsa to accompany the grilled halibut.

This is one of those salads that I can’t stop eating once I start. It’s thirst quenching, crunchy, and downright addictive. The juice from the pomegranate binds with the olive and hazelnut oils to make a bright, acidic dressing for the peppery arugula and sweet persimmons. Juicing your own pomegranates is easy, but if you’re not careful, it can result in some embarrassing mishaps. One night at Lucques, a customer asked for a pomegranate martini. Bartender Soren Banks, having seen a bowl of pomegranates in the kitchen, happily agreed to make her one. He rushed back to the kitchen for a quick juicing lesson, and then back to the bar. Following what he interpreted to be my instructions, he proceeded to spray himself and all the customers at the bar with the bright-red juice. Fortunately, everyone was more amused than angry, especially after a free round of pomegranate martinis (juiced this time in the kitchen). See Fall Market Report (page 205) for the best way to juice a pomegranate.

Many people associate particular years of their childhood with the television shows they watched or the sports they played. In my family, intervals of time were marked by food. The break between third and fourth grade was the summer of crêpes. My parents had just returned from a trip to Brittany, and my mother was determined to re-create the handiwork of their famous crêperies. I got on the crêpe bandwagon, too, and borrowed her Teflon-coated electric skillet on the weekends. While my sister entertained all the neighborhood kids in the pool, I set up my backyard crêpe stand and spent the afternoon flipping and filling to the sounds of “Marco . . . Polo . . . Marco. . . .” These lemon-hazelnut crêpes are a little more refined than those childhood concoctions (banana-chocolate was my specialty in those days!), but they still remind me of those joyful afternoons in my makeshift crêperie.

During my last year in high school, we were given 2 weeks off from classes for “senior projects.” While my peers pursued scuba diving, rock climbing, sailing, and photography, I headed to Ma Maison, the culinary pinnacle of Los Angeles, circa 1984. Being a girl in a French restaurant in 1984, I was led straight to the pastry kitchen. When I arrived, my fear of being in the way was quickly put to rest; the pastry chef had just been fired, and the sous-chef, Aisha, was running the show all alone. In no time at all, she had me making doughs, whipping mousses, and filling tart shells. Thrilled with my newfound pastry skills, I rushed home every day after work to re-create those desserts for my family. One of the first things I learned to make that spring was a classic lemon tart with a pâte sucrée crust. The first time I tried it at home, my chocoholic sister begged me to add some chocolate. I refused and stuck to the classic French recipe. But one day, when her birthday rolled around, I gave in to her suggestion. I melted some bittersweet chocolate, spread it over the baked crust, and waited for it to solidify. Nervously, I poured the warm lemon curd over and waited to see if it would work. It was the first time I’d ever deviated from a pastry recipe, and I was terrified I might ruin it. To Jessica’s delight (and mine, too), it was even better than the original. To this day, whenever this tart is on the Lucques menu, Jessica gloats, proud of our lemon-chocolate collaboration.

This pasta might sound unsubstantial, but I promise you won’t leave the table wishing you’d made a roast instead. The caramelized cauliflower, rich cavolo nero, and chewy pasta, sautéed with rosemary, chile, garlic, anchovy, and onion, meld together into a filling, savory whole. Although sautéing the pasta isn’t traditional, I love the integration of flavors and the slightly crisped noodles.

Lucques had been open only a few months when we were asked to host an Alsatian wine dinner. Working on the menu reminded me of a road trip I had taken many years before through that northeastern region of France. With a corkscrew in the glove compartment and a stinky wheel of Muenster tucked away in the backseat, my boyfriend and I tooled around the picturesque Alsatian countryside. We lived for a few days on tall glasses of Hefeweizen—golden, unfiltered wheat beer always served with a slice of lemon—and on wedges of Flammeküche, warm, cheesy bacon-onion tarts. I made this version of that traditional tart for our wine dinner.

Rainbow trout is a delicious option for fish-loving home cooks. It’s available year-round and won’t break the bank even when you want to feed a crowd. Have your fishmonger bone and butterfly the trout for you, leaving the tail intact and keeping the two fillets attached on the fin side. This preparation is a study in contrasts, a three-way complement to the flaky flesh of the trout. The blushing sweet-tart sauce is made with both crushed grapes and verjus, the juice of unripe wine grapes. (The French used verjus in medieval and Renaissance times in much the same way we use vinegar or lemon juice today.) Less acidic and more complex than most vinegar, the verjus’s refreshing fruitiness plays counterpoint to the salty cured Italian bacon wrapped around the trout. And finally, hidden within this lively package: rich, herbaceous sorrel cream, bringing us back to earth.

I have a well-deserved reputation as an olive oil junkie. I use olive oil in most dishes, and not with a light hand. When my regular customers saw this dessert on the menu, they thought I’d gone too far—until they tasted it. The oil takes the place of butter and makes for an incredibly moist crumb. It’s delicious with candied oranges and whipped cream, or by itself in the afternoon with a cup of tea. Or if you’re a chocolate lover, try a slice drizzled with the chocolate sauce from the ,meringues recipe on pages 159–160.

While I’m not a fusion person, I do often find myself melding different cultures into a single dish. This chicken dish is a great example, drawing paprika and sherry from Spain, and dates, saffron, and couscous from Morocco. In place of Morrocan couscous in this dish I use fregola sarda, Sardinia’s answer to traditional couscous. Fregola sarda is made from hand-rolled balls of coarsely ground semolina. Although often called “Italian couscous,” its larger size and slightly toasted flavor distinguish it from its North African counterpart. It lends the dish a nutty flavor and chewy texture, and is the perfect accompaniment to soak up all the spiced broth and fragrant saffron onions. The final addition of sliced dates and fresh herbs gives this Mediterranean tagine a sweet finish.

When I was growing up, apples seemed so bland and boring—I could never get excited about a mushy Red Delicious the way I could a summer peach. But today, thanks to small farmers around the country like Barbara and Bill Spencer of Windrose Farms, we have a lot more choices where apples are concerned, and a lot more to get excited about. Determined to revive the disappearing heirlooms, the Spencers painstakingly planted more than forty varieties of apple trees on their farm in Paso Robles, California. It took 6 years for the trees to produce, and that glorious fall, when Barbara turned up at the back door of Lucques with boxes and boxes of their impressive crop, I was blown away. The apples looked dazzlingly beautiful and tasted even better. From russeted emerald greens to mottled pinks to deep burgundy-blacks, we sampled our way through them all, picking our favorites and taking note of which were better raw and which were better cooked. Some of our favorites for eating out of hand were Braeburn, Arkansas Black, and Gernes Red Acre. Crisp, sweet, and tart, these revelatory fruits were the inspiration for this fall salad. And if it’s not enough that they’re growing all these beautiful heirloom apples, Barbara and Bill also grow some of the best Asian pears I’ve ever tasted. Juicy and delicately perfumed, they’re a fun surprise, sliced and tossed with the apples, buttermilk, mint, and radicchio in this thirst-quenching salad.

A variety of cheeses work in this salad, but I particularly love St. Agur, a triple-crème French cow’s milk blue cheese. Its pungent and intense blue flavor is balanced by an unusually creamy and sensuous texture. When shaved into long thin ribbons, the cheese is elegant on the plate and delicate on the palate. To make thin ribbons, I use an old-fashioned cheese pull, a wide metal spatula-shaped utensil with a slotted blade in the center. Pears and cheese are always happy companions, so if you can’t find St. Agur choose another blue, or seek out a good sheep’s milk cheese, such as a Roncal, Manchego, or pecorino. We’ve had more than one customer order this salad as dessert, so you decide where it falls in the meal.